About
In the endless circulation of social media, images of catastrophe, from natural calamities and apocalyptic prophecies to geopolitical confrontations, continuously saturate perception and sustain a suspended sense of doom.
Centered on humanity’s timeless fear of the “end of the world,” the exhibition reflects on how apocalyptic narratives, beyond foretelling disasters, instill vigilance that shapes the collective unconscious. In this prolonged suspension where the end is deferred, fear emerges as a mirror, inviting reflection on our ties to the environment, the collective, and geopolitics beneath the looming collapse of order.
Born in 2000 in Taipei, Taiwan, Lien Po Hung is currently pursuing a Master’s degree at the National Taiwan University of Arts. His practice centers on video and installation, exploring from an occult perspective how technology and systems shape human perception and being. By weaving mysticism, history, and digital culture, his works construct liminal spaces that question belief, spirituality, and worldview.
